Category Archives: Term01 Matchmove

02 | Matchmove Face Track

In my second 3DE tutorial, I have to apply the tracking method into a human face.

It is also essential to place the tracker point in most recognisable area.

How to identify good reference points in sight to locate a tracker point :
1. High in color contrast.
2. Clearly defined edges.
3. Limit the track region within a same depth.
4. The search region should have sufficient distinction from the track region.

Take my tracking point as an example in below (Figure 2.1):

Figure 2.1 – Tracking points in background.
Figure 2.2

Especially for trackpoint “02” and “14” (in Figure 2.2), they are high-contrast and obvious stickers of the pole. I also resize the tracker region within the pole area as a long vertical rectangle.


And when all these principles apply to a human face, basically they are the same. With some friendly reminders for myself :

1. The centre trackpoint in the middle of forehead is quite an essential point to determine the rotation of the head.

2. The points for left and right sides on face should be even.

3. Be aware the points which are close to the edge of the face.
For example (Figure 2.3), on the right hand side of the main character, trackpoint “17” is a point that lost its way for a few frames.

Figure 2.3 – Tracking points, which I select to optimize my tracking in my 3DE on a human face.
Figure 2.4 from Insider.com to show the face trackpoints in Pirates of the Caribbean

Looking at the Pirates of the Caribbean movies as an example (Figure 2.4), the trackpoints on Bill Nighy’s face showing the same technique for animate the facial expression of the character in movie.

Result

Figure 2.4 – The result of the classwork of matchmoving on face track

The rotation movement is not sensitive enough, as there are no sufficient trackpoints on the character right hand side. But so far, I am quite satisfied with the result.

01 | Matchmove Camera Track

Result


My first tutorial of learning how to use 3D Equalizer to do matchmoving, and here are the things that I should always bear in mind:

  1. Adjust the gamma and contrast in image control setting, which is
    non-destructive to the footage, to find the most recognisable area for the tracker points.
  2. Avoid water surface and glass reflections.
  3. Place tracker points evenly from inward to outward.
    All the x&y axis and z-depth should be covered. ( as image belowed)
A capscreen from 3DE tutorial on class.

From this tutorial, I have experienced what a matchmove artist will do in his/her daily job routine.

According to the description on screenskills.com,
“Matchmove artists match computer-generated (CG) scenes with shots from live-action footage so the two can be convincingly combined. They recreate live-action backgrounds (plates) on a computer in a way that mirrors the camera on the set in every way, including lens distortion.”

And I have learnt matchmove artist is an entry level job position in the industry, thats why we, as the students, should practise the skill. Perhaps it is one of the positions I would like to work on after my graduation.